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Tuesday, September 29, 2009
Sunday, September 27, 2009
3 Word Illustration - Part 2
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I do understand what people were saying about the whip not coming across as a whip, but I honestly didn't realize that until after I colored. I also know that the whip is really dark in comparison to everything else; does anybody have any ideas on how to lighten it up? It's colored pencil, and I've tried erasing and using white colored pencil over it, but it didn't really work.
As for the technique I used: watercolor was put down for the sand and wall, and then colored pencil on the tiger/smoke/whip, with watercolor over that and then some more colored pencil over that.
Oink, Burp, Rip
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I think once the color is added then "Rip" will be more obvious, since you'll be drawn more to the red polkadot underwear. I also hope to add a brightly colored background.
But this would be for a culture magazine, something like "Vice" where they would be lenient with the cop/pig reference. I guess I just wanted to find a different way to show "oink" than just drawing an actual pig! Any suggestions encouraged!
Saturday, September 26, 2009
Slurp Clink Whack
Alrighty..
Here's my attempt at my Illustration sketch. My words are Slurp, Clink, and Whack
It's unrefined in parts but this is the general idea. I'm portraying a golf resort that happens to have a lovely bistro in the back. A stretch but whack is kind of a tough one to mix into the food things. Obviously my portrayal is supposed to more funny but i'm not sure about it yet. I like clink and whack, but i feel like the kid 'slurping' his soup in the back is an after thought.
I'm totally unsure if i want to redraw the final or simply transfer it, so go all out if you don't like anything (composition, anatomy, ect ect.) I'm worried about it getting too central, and i feel like my details are getting overly tiny and are going to drive me crazy in the color stage.
Speaking of color, markers or watercolor (+ possibly colored pencil overtop?)
Here's my attempt at my Illustration sketch. My words are Slurp, Clink, and Whack
It's unrefined in parts but this is the general idea. I'm portraying a golf resort that happens to have a lovely bistro in the back. A stretch but whack is kind of a tough one to mix into the food things. Obviously my portrayal is supposed to more funny but i'm not sure about it yet. I like clink and whack, but i feel like the kid 'slurping' his soup in the back is an after thought.
I'm totally unsure if i want to redraw the final or simply transfer it, so go all out if you don't like anything (composition, anatomy, ect ect.) I'm worried about it getting too central, and i feel like my details are getting overly tiny and are going to drive me crazy in the color stage.
Speaking of color, markers or watercolor (+ possibly colored pencil overtop?)
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Sound Project
My words are meow, pop, and burp . I'm having trouble with how to convey burping, especially since I didn't really want it to be set in a place with food (if anyone has any suggestion to that, I would really appreciate it). So I have two very different results with similar problems. I have to play with facial features, maybe get someone to belch for me a few times, but my main interest is in what people think is working out better? The birthday party or the truck stop? I'm still tinkering with some compositional elements (and exaggerations of forms/positions etc), as well as another composition idea, but this is the main idea of what will be in it for these two.
Any thoughts or comments are appreciated
Thursday, September 24, 2009
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comments and suggestions welcomed and appreciated
Wednesday, September 23, 2009
Sketch for "3 Word" Illustration
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Tuesday, September 22, 2009
watercolor
well, I haven't posted yet, but apparently I have to. While we are on the topic of watercolor, here is a wet on wet hummingbird I did. I used some dots of masking fluid on the eye... I think I used some other places too and then did some more washes over them so they aren't pure white.
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This is another thing. I don't remember all the techniques I used, but I think salt and a paper towel were involved.
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This is another thing. I don't remember all the techniques I used, but I think salt and a paper towel were involved.
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Row Houses
Monday, September 21, 2009
Hopkins Scholars!
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This is where I sit with my editorial Illustration of the Hopkins Students. I'm kinda freaking out about the way their skin reads. I used Micron and am kicking myself since you can see all the lines of the pen as this odd texture that I'm not digging. I am going to try and go a over it once if not a couple more times to smooth that out.
I have a ways to go on my background textures but am feeling confident.
New 8x8 Sketch!
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Between class and my car I somehow lost my other large sketch, so here it is again, it's not too much different. I combined my very first sketch with my second to make this third version. Most of the shading and dark outline is going to be up front, on the shoe and flowers, so the background can recede.
Does it still look like a giant shoe to anyone? I'm hoping line weight and detail are enough to just make it look close. Feedback appreciated!
Sketch Plunders
Hi There. These really aren't as 'post-quality' as I would like, but I could definitely use the feedback. First off we have my crappy little 6x6 Urbanite fortune cookie spot Illustration. My fortune was "Diligence is the mother of good fortune."
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This here is the revised version, I'm much more pleased with it, but also wondering if I should change anything before I attack it with ink. Any thoughts on this would be greatly appreciated. The concept is that the performer here trained dillegently for her gold medal and that these figures (which I will fade out when inking) represent her past work with her good fortune in the foreground. Obviously I need to tone down those figures a lot before i finish, but otherwise, any thoughts (especially anatomy wise)?
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Lastly we have my editorial illustration assignment. This is not turning around as nice as I would like. I feel like the basketball players are dominating less of the composition and by bringing the yoga people in I'm focusing more on the meat of the article but the composition seems halved to me, there are crazy issues with perspective, and all sorts of other anomalies. Any suggestions on how to fix this?
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This here is the revised version, I'm much more pleased with it, but also wondering if I should change anything before I attack it with ink. Any thoughts on this would be greatly appreciated. The concept is that the performer here trained dillegently for her gold medal and that these figures (which I will fade out when inking) represent her past work with her good fortune in the foreground. Obviously I need to tone down those figures a lot before i finish, but otherwise, any thoughts (especially anatomy wise)?
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Lastly we have my editorial illustration assignment. This is not turning around as nice as I would like. I feel like the basketball players are dominating less of the composition and by bringing the yoga people in I'm focusing more on the meat of the article but the composition seems halved to me, there are crazy issues with perspective, and all sorts of other anomalies. Any suggestions on how to fix this?
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Saturday, September 19, 2009
Pre-Ink Version of Article Illustration
Wednesday, September 16, 2009
illustration criticism
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